The most common obsessions are with beauty, long hair, and beautiful girls, especially in his Tomie and Flesh-Colored Horror comic collections. Nevertheless, upon graduation he trained as a dental technician, and until the early 1990s he juggled his dental career with his increasingly successful hobby - even after being selected as the winner of the prestigious Umezu prize for horror manga. In December 2014, it was licensed by VIZ Media to be released in English in June 2015, under the "Fragments of Horror" title.īorn in Gifu Prefecture in 1963, he was inspired from a young age by his older sister's drawing and Kazuo Umezu's comics and thus took an interest in drawing horror comics himself.
It was subsequently published as a collection in Japan in June 2014, with the final story, "Whispering Woman", having been previously published in Shinkan (シンカン) rather than Nemuki+. It began serialization in the first issue of the revived Nemuki+ (ネムキプラス) magazine on April 13, 2013. Ma no Kakera (魔の断片, also titled Shard of Evil or Fragments of Horror), is a series of short stories by Junji Ito. Ranging from the terrifying to the comedic, from the erotic to the loathsome, these stories showcase Junji Ito's long-awaited return to the world of horror. A funeral where the dead are definitely not laid to rest. A dissection class with a most unusual subject. An old wooden mansion that turns on its inhabitants. He also said that he would like to continue to create stories where the unexpected becomes terrifying, before AI can learn to imitate that.A new collection of delightfully macabre tales from a master of horror manga. The artist said that he feels threatened by it as a professional, and worries that manga will eventually be drawn using AI technology. Junji Ito also talked against the use of AI-created art. He also said that designing individual illustrations is a very rewarding job, as the deadlines and load of work for creating manga are tighter. In addition, Ito said that if he were to receive another offer to work on Magic: The Gathering he would love to do it again. In the final card, the gravestone is a normal slab, and the name is blurred. Ito said that the only rejection to a first draft was for the Carrion Feeder card, which initially depicted a gravestone in the form of a cross with an English name. Elesh Norn, Mother of Machines had three different initial sketches before the final one was chosen. In addition to that, there was a previous period of trial and error creating rough sketches that the artist and Wizards of the Coast went through until a final design was decided. Drawing the final illustration for Elesh Norn, Mother of Machines took Ito about three days of work.
0 kommentar(er)
